CAROLINE SUZMAN
photographer

  • Home
  • About and Contact
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Crossing Over - Portraits from Israel and Gaza
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup
  • Home
  • About and Contact
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Crossing Over - Portraits from Israel and Gaza
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup

CAROLINE SUZMAN
photographer

  • Home
  • About and Contact
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Crossing Over - Portraits from Israel and Gaza
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup

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Return to https://www.carolinesuzman.com/haunted-by-waters

"Eventually, all things merge into one, and a river runs through it. The river was cut by the world’s great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs. I am haunted by waters.

— Norman Maclean, A River Runs Through It

Haunted by Waters -The undercurrents of Heritage Day in South Africa.

"The criss-crossing of various heritages and the mixed feelings they generate goes some way to explaining why Heritage Day in South Africa is not as straightforward as it might appear. Heritage Day is a  South African public holiday to celebrate all cultural traditions in the wider context of the diversity of cultures, beliefs, and traditions that make up the nation of South Africa. The question of National heritage is complicated. Another point of contention is that in a former settler colony such as South Africa, one person's heritage is another person's trauma. For example, whilst for some, the Great Trek represents a monumental feat of bravery and endurance, for others it represents the invasion and dominion of the land by a foreign and dangerous enemy. It is worth remembering that these issues are hardly unique to South Africa. The United States experiences similar ambivalence in the commemoration of Christopher Columbus on Columbus Day, which for some represents a fitting tribute to a noble explorer, and to others represents nothing short of the glorification of an arch imperialist with scant regard for non-European life. Another example might be the commemoration of contentious political figures such as Cecil John Rhodes, whom for some is imagined as a great moderniser and venture capitalist, and for others a monstrous barbarian. "South African History Online (SAHO)


Haunted by Waters, San Lameer, Southbroom, KwaZulu-Natal, 16 December 2019 (Day...
Crossing the green,San Lameer, Southbroom, KwaZulu-Natal, 16 December 2019 (Day...
Supplies, San Lameer, Southbroom, KwaZulu-Natal, 16 December 2019 (Day of Reconciliation)...
Queue for Chip 'n Dip, San Lameer, Southbroom, KwaZulu-Natal, 16 December...
Movie night, San Lameer,Southbroom, KwaZulu-Natal, 16 December 2019 (Day of...
Injury and solitude, San Lameer, Southbroom, KwaZulu-Natal, 16 December 2019 (Day...
Injury and sea rescue,San Lameer, KwaZulu-Natal, 16 December 2019 (Heritage...
Lifeguard, San Lameer, Southbroom, KwaZulu-Natal, 16 December 2019 (Day of Reconciliation)...
Street children swimming,San Lameer,Southbroom, KwaZulu-Natal, 16 December 2019 (Day of...

    © Caroline Suzman