CAROLINE SUZMAN
photographer

  • Home
  • About and Contact
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Crossing Over - Portraits from Israel and Gaza
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup
  • Home
  • About and Contact
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Crossing Over - Portraits from Israel and Gaza
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup

CAROLINE SUZMAN
photographer

  • Home
  • About and Contact
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Crossing Over - Portraits from Israel and Gaza
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup

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The Unbearable Lightness of Being 

Selected portraits 1997 - 2025

''Suzman’s meditative portraits and definitive South African aesthetic are born out of a passionate fidelity to the grittiness and immediacy of lived life.  Whether it is the backstage disappointment of a beauty contestant never crowned or the frank gaze of a Xhosa initiate, human susceptibility is viewed with a compassion and frankness. An arresting tension between vulnerability and self-declaration in her subjects is a signature element of her work.'

Visual culture writer Alexandra Dodd, author of David Goldblatt: The Last Interview (Steidl, 2019)

All images © 1997-2025 Caroline Suzman


Dance, Benoni, Johannesburg 
Daniel with his flock, Noupoort, South Africa
Holocaust survivor, Westpark Cemetary, Johannesburg, 2 May 2019 ( Yom Hashoah...
Emily Armstrong, Park Station with a view of Nelson Mandela...
Choreographer/dancer Elu (1968-2016)performing his original work Broken Bird, an essay...
Waiting for chicken to thaw, Robertson, Western Cape 
Waiter, Cape Town, 24 September 2021 ( Heritage Day) 
Sister of the bride, Hartebeespoort
Mourner, Winnie Mandela's memorial service, Orlando Stadium, Soweto, South Africa...
Traveling scribe and recorder of family history next to her...
Youth, Maboneng, Johannesburg, South Africa
 After a death in the family, a relative collecting possessions, Day...
Delegate, UFO, Science
Havdalah  - End of Shabbat

    © Caroline Suzman