CAROLINE SUZMAN
photographer

  • Home
  • About and Contact
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Crossing Over - Portraits from Israel and Gaza
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup
  • Home
  • About and Contact
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Crossing Over - Portraits from Israel and Gaza
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup

CAROLINE SUZMAN
photographer

  • Home
  • About and Contact
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Crossing Over - Portraits from Israel and Gaza
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup

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Return to https://www.carolinesuzman.com/burnt-by-the-sun

BURNT BY THE SUN

While watching an extreme weather event in American TV, my 10 year old son asked me, “What if the sun goes out?’ We discussed the reality of this and then discussed what happens if our human sun, our soul goes out. This is an ongoing series about living in a time of unprecedented change. AI is transforming work. Climate events are intensifying. Political and economic landscapes are shifting rapidly.  What does the global landscape look like for the youth?  Are they anxious and angry at the world they have inherited ? Are they angry enough?  An ongoing series, Burnt by the Sun was inspired in part by the story of Icarus, in Greek mythology, son of the inventor Daedalus who perished by flying too close to the Sun with waxen wings. Photographed in part at a night school fun run,  ultraviolet light has an otherworldly feeling, everything looks reversed, like a photographic negative.  My media inspiration

 NYTimes: Your Kids Are Big Tech’s Guinea Pigs https://www.nytimes.com/2025/04/16/opinion/teens-chatbot-threat.html?smid=nytcore-ios-share&referringSource=articleShare

Jon Stewart on the false promises of AI https://www.youtube.com/watch?v=20TAkcy3aBY

 Solar engineering the weather  https://www.nytimes.com/2024/04/02/climate/global-warming-clouds-solar-geoengineering.html?smid=nytcore-ios-share&referringSource=articleShare&sgrp=c-cb






Swallow and sunburn, Cyrildene, Johannesburg 2024 (Chinese New Year)
Portrait in UV 1, Melrose, Johannesburg, 2023
Dawn, United Airlines flight, USA to South Africa, April 2025...
Lunch, Oaklands, Johannesburg, 
Power failure, The Zoo, Johannesburg, South Africa

    © Caroline Suzman