CAROLINE SUZMAN
photographer

  • Home
  • About/Contact
  • Portraiture
    • Human, Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Israel and Gaza - Postcards from the Forever War
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian, American Beach and Street Portraits
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • SUPERNATURAL - landscapes of South Africa and Zimbabwe
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • The Future is Leaving - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup
  • Taylor Wessing Photo Portrait Prize
  • Postcard Book
  • Home
  • About/Contact
  • Portraiture
    • Human, Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Israel and Gaza - Postcards from the Forever War
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian, American Beach and Street Portraits
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • SUPERNATURAL - landscapes of South Africa and Zimbabwe
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • The Future is Leaving - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup
  • Taylor Wessing Photo Portrait Prize
  • Postcard Book

CAROLINE SUZMAN
photographer

  • Home
  • About/Contact
  • Portraiture
    • Human, Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Israel and Gaza - Postcards from the Forever War
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian, American Beach and Street Portraits
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • SUPERNATURAL - landscapes of South Africa and Zimbabwe
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • The Future is Leaving - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup
  • Taylor Wessing Photo Portrait Prize
  • Postcard Book

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Return to https://www.carolinesuzman.com/13695578-taylor-wessing-photo-portrait-prize

Finn in a field  is shortlisted for the  2025 Taylor Wessing Photo Portrait Prize  -  National Portrait Gallery, London  

Finn in a field

Finn had been helping his father herd cattle on a farm in Balgowan in South Africa’s KwaZulu-Natal
Province. Coming across a Eucalyptus tree toppled in a storm, he clambered onto a branch, lay down
and closed his eyes. The portrait is part of an ongoing series, The Unbearable Lightness of Being a Child, a body of work that examines the years leading up to adolescence. The image makes me think of Robert Frost’s Stopping by Woods on a Snowy Evening, in which the subject considers lying down in woods that are “lovely, dark and deep” but thinks better of it: “I have miles to go before I sleep”. Mainstream interpretation of this poem suggests a yearning to ‘opt out ’ of the unrelenting grind of existence,but Finn, in this image, is opting in, connecting with nature from which he has yet to be severed. Reflecting on this portrait, I hear the words of the novelist Martin Amis: “But before we face experience, that miserable enemy, let us have some more innocence, just for a while.”


Shortlisted: 2025 Taylor Wessing Photo Portrait Prize - Finn in a field
Taylor Wessing Photo Portrait Prize 2025
Chosen from 5900 entries
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Year 2021
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    © Caroline Suzman