CAROLINE SUZMAN
photographer

  • Home
  • About and Contact
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Crossing Over - Portraits from Israel and Gaza
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup
  • Home
  • About and Contact
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Crossing Over - Portraits from Israel and Gaza
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup

CAROLINE SUZMAN
photographer

  • Home
  • About and Contact
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Crossing Over - Portraits from Israel and Gaza
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup

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Return to https://www.carolinesuzman.com/sweet-monster-halloween-in-the-time-of-covid-19

Sweet Monster - Halloween in the Time of Covid  - 19

Once a year in Johannesburg folks from suburbia emerge from behind their walled gardens and don Chinese -made, American horror movie inspired costumes and open their houses to strangers. In 2019 I went to a Halloween party in a local park.  I thought that the crowd seemed on edge and in hindsight it turned out to be a grim portent of things to come. In March 2020 masked members of the South African Defence Force barreled zombie -like through city streets, brutally enforcing extreme Covid-19 protection rules, people reeled from the isolation and communities starved of income began to fray around the edges. Some parts of the city began to look like scenes from the American science fiction movie, 'Escape from New York.' The sweet promise of 2020 melted into pools of sadness and loss. When Halloween came round in 2020, children and  their minders slunk around deserted streets looking for connection.  The weeping brown lesions of a London plane tree infected with the Polyphagous shothole borer mirrored a child's paint stained tunic, donned in hope of finding friends to trick or treat with in amongst the shuttered houses. 2020 was a year of contemplating all things alien and apocalyptic, a monstrous year. Racing home from a street gathering before curfew, I crossed paths with a green monster.  Captivated by the sheen of a sodium street light on his skin, I asked for a portrait, but he shook its head, offering instead a sweet before jumping into a car and speeding off. So I photographed a monster handing out a sweet. Maybe it was a token of hope. As the sun went down on 2020, a collective longing for space, freedom and the simple joys of childhood. If 2020 was a monstrous year then 2021 was bittersweet, reckoning with a myriad of ghastly losses while celebrating a return to normal life. Families dropped their masks and wandered the streets with a stain of sadness, the ghost of lost childhoods lingering over the crowds of squealing kids squeezing every last drop of pleasure out friendships and sugar fixes. Their parents walking behind, hiding a dread of a fourth Covid wave, ushering their children up the street.

NOTE: These are large thumbnails  -  click on individual pictures for captions.

Ghost of lost childhood, Melrose,Johannesburg, 31 October 2021
Looking for friends, Parkview Johannesburg,31 October 2020 (Halloween)
Looking for friends,  In the background a London plane tree infested with  Polyphagous...
At a street party, Parkview, Johannesburg, 31 October 2020 (Halloween)
 Left behind,Melrose,Johannesburg,31 October 2021 (Halloween)
Companion, George Hay Park, Parkview Johannesburg,South Africa, 31 October 2019 (Halloween)...
Aya, Melrose,Johannesburg, 31 October 2021 (Halloween)
Child with a red balloon,
Cruella, Melrose,Johannesburg, 31 October 2021 (Halloween)
Black hearts,wings and footprints,Melrose,Johannesburg,31 October 2021 (Halloween)
Angry young thing,Melrose,Johannesburg, South Africa, 31 October 2021 (Halloween)
Sweet monster,Parkview Johannesburg,31 October 2019 (Halloween)
Lexi and Mackenzie, Melrose, Johannesburg,31 October 2021 (Halloween)

    © Caroline Suzman