CAROLINE SUZMAN
photographer

  • Home
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  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Israel and Gaza - Postcards from the Forever War
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
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    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup
  • Home
  • About and Contact
  • Books
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Israel and Gaza - Postcards from the Forever War
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup

CAROLINE SUZMAN
photographer

  • Home
  • About and Contact
  • Books
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Israel and Gaza - Postcards from the Forever War
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup

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Return to https://www.carolinesuzman.com/israel-and-gaza-postcards-from-the-forever-war

ISRAEL AND GAZA: POSTCARDS FROM THE FOREVER WAR

"It's a long time since I've seen work that excited me as much as your Israel / Gaza series"  David Goldblatt (Hasselblad Photography Award, Henri Cartier-Bresson Award,  ICP Infinity Award), Johannesburg, South Africa, November  2009

Artist statement

In July 2006, on assignment I crossed over from Israel into Gaza, two days after the capture of Israeli soldier Gilad Shalit. In response to Shalit's abduction, Israel launched ‘Operation Summer Rain’, a military bombardment of the Gaza Strip. I set off to the beach. These portraits are largely metaphorical and so transcend the grind of violence and geopolitics;  a black dog walking the beach in Herzylia that I called Dog of War, (after ‘Man o’ War’ or the stinging bluebottle), an Israeli lifeguard diverting stinging sea creatures, two small Bedouin sheep herders doggedly guiding their sheep around a bombed bridge.  The intention of the series was to reflect on how civilians in Israel and Gaza tap their inner resources to adapt to the ebb and flow of war. Photographing on the beach in Israel with the threat of missiles was surreal and in Gaza it was eerie, with drones and apache helicopters circling overhead and the sonic boom of jets breaking the sound barrier reverberating out to sea. 

At midnight on the CNN rooftop, we watched a missile strike the Islamic University targeting a suspected Hamas official. The next day female students held up angry placards, “KEEP AWAY YOUR SAVAGENESS, in Arabic and English to make sure the message was well understood. It could well have been directed at Hamas, an organization not known for the care of any civilians. When the fighting intensified, we fled through a concrete tunnel with a throng of international journalists just before the border closed. So this is an unfinished series, the subjects and photographs in limbo, fleeting vignettes, scattered postcards from a Forever War.

Background

On the 25 June 2006,Israeli soldier Gilad Shalit was captured by Hamas fighters. Shalit was released 5 years later in exchange for 1,027 Palestinian prisoners. Six months before, in the 2006 January election, the party of Yasser Arafat and President Mahmoud Abbas - Fatah, a party that supports a two-state solution to the Israeli-Palestinian conflict - had been defeated by Hamas, an Islamist faction, which is designated as a terrorist group by the US and Europe. The founding charter of Hamas commits it to the destruction of the Jewish state. One of the men released in Shalit’s prisoner swop was Yahya Sinwar. Israeli investigators identified Sinwar, then the military leader of Hamas in Gaza, as the mastermind of 7 October attacks on Israel. Sinwar conceived of what he called Operation al-Aqsa Flood and planned the assault almost alone. About 1,200 people, mostly civilians, were killed and 250 abducted. The Israeli offensive has killed 42,500 people, mostly civilians. Circa 2025 the Forever War rages on another has begun with Israel and Iran. How do civilians endure when there no end in sight? 


Interesting media  :

 NYTimes: The Tunnel That Leads Underneath a Hospital in Southern Gaza 

Jewish settlers set their sights on Gaza beachfront 

Prints : email studio@caroline.suzman.com

  • editioned photographic prints available in 3 sizes
  • archival pigment ink on museum quality photo rag paper
  • certificate of authenticity
  • Worldwide shipping by courier

​


Black dog playing, Herzylia,Israel, 2006
Family swimming,Herzliya, Israel 2006
Lifeguard, Sheikh Ajleen Beach,Gaza. 2006 
Student protest after bombing, Islamic University, Gaza City 
Youth posing for a portrait, Mea'sharim Jerusalem, Israel, July 2006
Fatah soliders, Gaza City
Soldier, Jerusalem, Israel, July 2006
Surfer, Sheikh Ajleen Beach, Gaza. July 2006 
The lifeguard's daughter,Sheikh Ajleen Beach, Gaza. July 2006
Walking on the beach, Herzliya, Israel, July 2006
Youth, Sheikh Ajleen Beach, Gaza.2006
Bedouin sheep herders, Salahudin Road bridge,Gaza. 5 July 2006
Family swimming, Sheikh Ajleen Beach,Gaza. 2006

    © Caroline Suzman