CAROLINE SUZMAN
photographer

  • Home
  • About and Contact
  • Books
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Israel and Gaza - Postcards from the Forever War
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup
  • Home
  • About and Contact
  • Books
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Israel and Gaza - Postcards from the Forever War
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup

CAROLINE SUZMAN
photographer

  • Home
  • About and Contact
  • Books
  • Taylor Wessing Photo Portrait Prize
  • Portraiture
    • The Unbearable Lightness of Being - Selected portraits 1997 -2025
    • The Centre for the Less Good Portrait
    • I Declare I Am Here - Self declaration in a post colonial African city
    • The Unbearable Lightness of Being a Child
    • Israel and Gaza - Postcards from the Forever War
    • Sweet Monster - Halloween in the time of Covid- 19
    • The Power of Two
    • Canadian and American Beach and Street
    • Portraits of the Cape, South Africa
    • Meat, Gun, Smoke
  • Remembrance + Inheritance
    • Heartland- Land ownership and restitution after Apartheid
    • Haunted by Waters - Reconciliation Day in a South African seaside town
    • Soldiers and Stars -War and Memory in South Africa
    • The War of Sport - South African Rugby culture and the Youth
    • Supernatural - landscapes of Africa
    • South Africa: Land of Hope and Dreams
    • Blood River - The Passing of a Zulu Prince
    • Disturbia -Colonial and Apartheid spatial planning in the Built environment
    • Black Oxygen - Legacy of Mining in South Africa
    • Nelson Mandela is gone
  • Contemporary Culture
    • Undertow Keys -A Sea Prophesy
    • Candy Crush
    • Burnt by the Sun - the youth, climate change and artificial intelligence
    • The Book of the Sea
    • CHINAFRICA
    • Waiting for the Barbarians - Reflections on the American Dream
    • Expectations
    • Purple Rain - The Jacarandas of Johannesburg
    • Winning the World Cup

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Return to https://www.carolinesuzman.com/zootrophy

Zootrophy. (ˈzəʊəˌtrɒfɪ). n. (Zoology) the nourishment of animals

"A premonition of extinction. The warmth of nostalgia. The loss of coherence. Melancholic memory. Fugue."

-David Edwards

As a child, outings to the Johannesburg Zoo were laced with regret. I was sad for the animals gawked at in the name of education, in  particular the Artiodactyla ( fancy word for a goat) from across the great plate tectonic divide stumbling over granite domes and a polar bear in a polyurethane pentagon, immolated in the African summer heat. There the white bear stayed, the zoo website states, for 30 years, before being put down because of "liver and heart and failure." Any child will tell you that an animal taken 11186 kilometres from their home sooner or later was going to die of a broken heart.  I went back to the Zoo in 2021 with entropy and an Alice in Wonderland theme in my head . Crouching  in an entrance  tunnel for a photograph of palm trees, a child ran past and jogged my camera, my careful composition suddenly a jagged mess. Like the laying down of memory, I thought, how unreliable the recording of light is, perfectly aligned rays sent into orbit at the slightest bump. The  theme expanded as I walked down paths flanked by disappearing herds to the tune of Camptown Races- a general sense of the world derailed by our own greed with future generations paying the price and having to go along for the wild, wild ride.  At the exit I tripped on erupting pavement (it's a Johannesburg thing - colonialists dropped seeds from their own lands that have turned into Triffids which have broken free of their sidewalk bunkers, bursting through storm water drains and strangling sewage systems to the dismay of anyone on foot.  The Future is Leaving I thought as I  left the Johannesburg Zoo. Can't we generally do better for the environment? Can't we do better for animals? Can't we do better for children?

(The triffid is a fictional tall, mobile, carnivorous plant species, created by John Wyndham in his 1951 novel The Day of the Triffids. The word "triffid" has become a common reference in British English to describe large, invasive or menacing-looking plants.) 

Note:

These are large thumbnails, captions on individual photographs. 

The disappearing herds, Johannesburg Zoo, Saxonwold, Johannesburg December 2021
Lost in translation
Down the rabbit hole, entrance to the Johannesburg Zoo, Saxonwold, Johannesburg...
Side walk, Johannesburg Zoo, Saxonwold, Johannesburg December 2021
Palm trees and fairy lights, entrance to Johannesburg Zoo, Saxonwold ...
Tin man Johannesburg Zoo, Saxonwold, Johannesburg December 2021
The Blue Train,Johannesburg Zoo, Saxonwold, Johannesburg December 2021
Agapanthus at night,Johannesburg Zoo, Saxonwold, Johannesburg December 2021
On Bandstand Street,
On Bandstand Street, Street Johannesburg Zoo, Saxonwold, Johannesburg December 2021
On Bandstand Street

    © Caroline Suzman